But the young girl felt a very strong eremitical vocation. Following the example of anchorites, who left the comforts and active life retreated to a cave or in a cell, usually near a church or a convent, so Rosalia retreated to a cave in the paternal feud of Quisquinia about 20 km. from the Madonie, close to a Benedictine monastery. From there, the young hermit, after a period of penance, moved into a cave on Monte Pellegrino, a beautiful promontory near Palermo, next to a pre-existing Byzantine church, in a cell built over a stil extant well.
The Benedictines of the monastery were able to follow and be witnesses to the life of Rosalia, who lived in prayer, solitude and penance; many local people climbed the mountain attracted by her reputation for holiness.
According to the tradition, she died on September 4, probably in the year 1160. Her worship spread with the building of churches dedicated to her in various areas of Sicily, as well as a chapel already on Monte Pellegrino, whose image is reproduced in the Cathedrals of Palermo and Monreale; a church was built also as far as Rivello, province of Potenza.
On Monte Pellegrino her followers, the so-called "hermits of St. Rosalia" lived in solitude up to the early 16th century, dwelling in caves close to that where the young hermit lived and died. Towards the mid-16th century viceroy John Medina built a convent next to the church that included the cave, for the "Reformed Franciscan Order of Santa Rosalia and Monte Pellegrino".
The events of the plague years
The event was reported to the nearby convent of the Franciscan hermit friars, who during the previous century with their Father Sueprior Benedetto il Moro (1526-1589) had tried unsuccessfully to find Rosalia's relics. Now they resumed their search, and on 15 July 1624, four feet deep, they found a boulder, six palms long and three wide, to which human bones were attached.
By order of cardinal Giannettino Doria, the archbishop of Palermo, the boulder was moved into his private chapel, where the remains were examined by theologians and doctors; the result was disappointing, the team stated that the bones might belong to more bodies and none of the three skulls found seemed to belong to a woman.
The cardinal was not convinced and appointed a second committee. Meanwhile in the summer of 1624 Palermo was hit by a plague, that began to claim thousands of victims. The Cardinal gathered authorities and the population in the cathedral, and all together they prayed the Virgin Mary, vowing to defend the privilege of the Immaculate Conception, which just then was being greatly debated in the Church, and at the same time he vowed to declare Santa Rosalia patron of Palermo, and to worship her relics, in case they could be established.
Another strange event had happened in the same period. On 25 April 1624 two masons from Palermo, at work in the Dominican monastery of Santo Stefano, discovered in a cave at Quisquinia a Latin inscription, until then unknown to all, which was believed engraved by Santa Rosalia herself during her life. The inscription read: "I Rosalia, daughter of Sinibaldo, lord of Quisquina and (Mount) of the Roses, for the sake of my Lord Jesus Christ, decided to live in this cave"; this inscription confirmed the site of her previous hermitage, from where she had later moved to Monte Pellegrino.
On February 11, 1625 the second expert team determined that the bones clearly belonged to one female person, and about the three skulls they discovered that two were a clay jug and a big stone, while the third one, that at first looked too big, was thickened by limestone deposits, which once removed revealed a female skull; also the first team re-examined the remains and agreed with the result of this second committee.
The miracle on Monte Pellegrino
Back in town, Bonelli fell ill with plague and before he died he confessed the Cardinal what he had been revealed. On 9 June 1625 an urn with the relics was carried in procession with great solemnity and the participation of the entire population. Wherever the saint's remains were passing, the sick were healed, and the city was purified in a few days; since then, in Palermo, the procession is repeated every year. The plague began to regress and on the enxt July 15, when a pilgrimage was made to Mount Pellegrino on the anniversary of the discovery of the relics, there was no case of plague any longer.
The Cardinal built inside the Cathedral of Palermo a magnificent altar, where the fine solid silver urn with the relics of the saint was placed; her name was traditionally interpreted as consisting of 'rose' and 'lily', symbols of purity and mystical union, which is why "Santuzza" is represented with her head surrounded by roses.
The statue of "Santuzza" surrounded by other statues, stands on top of the so-called 'machine', which is a chariot shaped like a boat on which there is also a band; this chariot is transported through the city for the event called "fistinu". On the 4th of September a pilgrimage takes place to the shrine on Mount Pellegrino, where the cave is today inside a shrine with a picturesque, 17th century facade; inside the shrine many works of art have been added during the centuries.
A gate divides the first part of the sanctuary from the cave; on the site where the relics were found is a beautiful altar covered by a canopy, with a sumptuous tabernacle surmounted by a silver statue of the saint, donated by the Senate of Palermo in 1667. Under the altar is a statue of 1625, representing St. Rosalia exhaling her last breathing; the statue was covered with gold by order of King Charles III of Bourbon (1716-1788).
The cave up in the mountain was visited not only by innumerable anonymous pilgrims, but also by many distinguished visitors as princes, kings, emperors, writers, poets, musicians, artists; among them also Goethe went up the mountain, which he called in his Italian Journey, the "most beautiful promontory in the world". Below a view of Monte Pellegrino from the harbor, in a painting by Martinus Rorbye (1803-1848), oil on canvas, presently at the Los Angeles County Museum of Art (LACMA), Los Angeles, CA, USA.
Santa Rosalia in Art
Below another painting by Antoon van Dyck "Santa Rosalia interceding for the City of Palermo" (1629), oil on canvas 172.1 × 146 cm (67.8 × 57.5 in), presently in the Museo de Arte de Ponce (MAP), Las Americas Avenue, Ponce, Puerto Rico.