29 June: Saints Peter and Paul
- Festivity program is usually available on the Comune di Roma website
Celebrations in Rome
The highlight of the festivity is when the Dome of St Peter's is illuminated; once it was done thanks to workers who lowered themselves down with ropes and pulleys down the dome, where they had placed torches and oil lanterns, which they lit up jumping from one to another. Now the same effect is obtained by pressing a button.
- The Pope imposes the pallium (a kind of white wool scarf) to some bishops of the city, which represents the union between the universal Church and the local
- The Pope kisses the foot of the bronze statue of St. Peter, adorned with the red "cope"
- At dusk the procession, carrying the chain of St. Paul, comprising 14 iron rings
Girandola di Castel Sant'Angelo
The Girandola was an event that attracted spectators from all over Europe, of every rank and social status, a time when Rome returned to shine as a beacon of culture and civilization. An event that gave back pride to the Romans, but that was forgotten for centuries.
The Girandola of Castel Sant'Angelo - documented since 1481 - was recorded in 1550 for the exaltation to the pontificate of Julius III. It was a combination of fireworks studied in drawings by Michelangelo Buonarroti and perfected by Cavalier Bernini, who is said to have taken inspiration from the eruptions of the Stromboli volcano that 'spewed flames and fire'. The great genius of the Neapolitan architect turned this explosion of rockets and lightning fire into an unsurpassable show of colors and art.
The Pinwheel was a great attraction for visitors traveling in Italy until the tradition died out suddenly. This grand fireworks display was achieved thanks to huge machines placed on the top of the castle: through rockets, sparklers and other fireworks fantastic designs are generated that wrap the castle, transforming it into a bright night flower.
The Girandola remained in use until 1886, when it was abandoned because of injuries made by the repeated explosions in the stucco and painted decorations of the rooms and to the archives; it was reported also that to form the cones for gunpowder, in fact, workers did not hesitate to use the documents of the Curia.
Painting by anonymous of the 17th century
Museo di Roma in Trastevere.